(Belated) happy new year all! And sorry about the lack of blog posts towards the end of 2013… I don’t really know what happened. My new year’s resolution is to blog more regularly, although it seems I haven’t got off to the best of starts.
The life of a PhD student is a strange one. Often you feel like you achieve very little, plodding into the office every day, reading a bit, and then plodding home again for dinner (and a knit). As we moved into the New Year I didn’t feel as if 2013 had been particularly significant for me. It was that ‘middle stage’ of the PhD, the bit that doesn’t have the freshness and excitement of starting but also the bit without the panic and pressure of writing up and getting-it-done. But actually, when I stopped and considered it 2013 was alright. More than alright in many respects, and quite eventful!
At the start of the year I was busy throwing myself into interviewing local makers. I met some wonderful people – including basket weavers, fabric artists, a ceramicist, mosaicist, silversmith, and a metal sculptor – who welcomed me into their workspaces and allowed me an insight into their craft worlds. I also spoke with Matthew Partington from UWE about interviewing craftspeople and the on-going project he is involved in called ‘recording the crafts’. This was useful, not only for the interviewing work I had already been doing, but for the archival practice I was about to embark on at the University of Southampton.
As many of you know I was fortunate enough to attend the ‘In the Loop 3.5’ conference in Shetland over the summer, which marked my first ever visit to the northerly Island. The scenery was stunning, the conference fascinating, and the wool plentiful. Needless to say I came back with a case stuffed full of yarny goodness. In the Loop was organised by the lovely, and totally inspirational, Linda Newington. Linda is based at Winchester School of Arts and curates the Knitting Reference Library (KRL). After hearing about this veritable treasure trove at In the Loop I arranged a visit to delve through some of the books and patterns held both at Winchester and in Southampton. Oh my gosh, it’s a wonderful collection! Everything you can think of to do with knitting is here – from Victorian patterns to yarn samples, letters between famous knitters to needles, and drop spindles to toilet roll covers. It’s just jaw-dropping, and such a privilege to be allowed a glimpse of craft history. Longer blog post to follow dedicated solely to the KRL, I promise.
A Shetland Knitting Circle
I’ve also been spending an increasing amount of time at Paper Village and getting involved with their community projects. In May we unveiled the coral reef – a fab crochet project that involved 38 local crafters making a woolly underwater wonderland that went on display for a month or so and got some great feedback from crafters and non-crafters alike. The next project is the City of Briswool – a mission to knit, crochet, and needlefelt a fibrous representation of Bristol. I’ve been tasked with making Beese’s tea rooms and some trees for Arnos Vale cemetery. It’s going to be massive and I can’t wait to see the finished piece! Going to Paper Village isn’t all about project work though; I’ve also been going to the weekly knit and natter group there and enrolled in a few courses. As a result I can now make my own (cotton, not knitted) knickers!
The Paper Village Coral Reef
Vicky from Paper Village was also kind enough to collaborate with me in a recent conference we did on crafting at the University’s ‘Thinking Futures’ event. We spoke alongside other academics and practitioners at what was, overall, a relaxed, fun, and interesting evening discussing a range of craft-related issues. On the subject of conferences, 2013 was my first visit to the annual RGS-IBG conference in London at which I also presented in a session on the geographies of comfort. It turned out to be a great few days actually, helped in no small part by some glorious weather, where I got to meet a huge range of geographers and generally mingle with people working in similar fields. My paper went much better than I expected it to (given how incredibly anxious I’d been about it in the weeks leading up to the event) and the conference as a whole was a bit of a summer boost.
In terms of yarn bombing this year I’ve largely kept my head down, excluding one or two big events. My absolute favourite commission was being asked to decorate the surroundings for one of Bristol’s Gromits over the summer for Hotel du Vin. The team were so lovely and welcoming and helped me cover their courtyard in bunting, pom-poms, and a giant bone. It looked great, and I had lots of positive feedback on it too. I also did some work for AXA’s graduate scheme again, this time making pom-poms to adorn Warwick University’s campus during a career fair. Apparently though the wrap from 2012 is still doing the rounds and has been displayed all over the country! Nice to know it’s holding up ok. I was also sent a link to a yarn bombing documentary a few weeks ago which I was interviewed for. The other participants are Spanish, but this version of the video has English subtitles if you fancy a watch. There’s some very impressive work going on!
It probably goes without much saying that I did a fair amount of knitting in 2013. Not as much as I would have liked, but I did manage to get through over 7 miles of yarn – just in my personal projects! Not too shabby. I doubt I’ll get as much knitted up in 2014, but watch out for a few upcoming posts I have planned on some exciting projects I’ll be embarking on shortly. It’s going to be an exciting year by all accounts – I’m off to Australia for three months starting in February having been awarded a grant by the ESRC to work with a professor at the University of Newcastle. I can’t wait! Then it will almost be time for another RGS-IBG conference (at which I’m co-organising a session), before getting the thesis written and finished. Lots to look forward to then!