The RGS-IBG conference is a mere two weeks away (where did the time go?!) so it only seemed right that I swing by to plug the sessions I’ve been organising with Dr Merle Patchett – ‘the geographies of skilled practice and co-production’. The two sessions that we’ve put together stem from our shared interest in skilled craft practices, in both historical and contemporary contexts. We had a great response to our call for papers back in January and I’m delighted to announce that the line-up is as follows:
Session 1: placing skill
Introduction to Geographies of skilled practice and co-production – Joanna Mann (University of Bristol) and Merle Patchett (University of Bristol)
Simplicity, soul and skill: new folk geographies of hut and bothy – Rachel Hunt (University of Glasgow)
Suffolk and The Suffolk: 21st Century Co-production of Heavy Horse Skills – Kim Crowder (Goldsmiths, University of London)
Machine-made lace, the co-production of knowledge and the spaces of skilled practice –Tom Fisher (Nottingham Trent University) and Julie Botticello (Birkbeck, University of London)
Binding Us Together: The Artist’s Line for Skilled Co-Production – Elizabeth Hodson (University of Aberdeen)
Session 2: Rethinking skill
The craft of musical performance: creativity as skilled practice – Emily Payne (University of Oxford)
A tradition of becoming skilful? – Joanna Mann (University of Bristol)
An ethnography of image making practices in Hyderabad – Fiza Ishaq (Heidelberg University, Germany)
Struggling over skill: materiality, embodiment and contestation in the surfboard industry – Andrew Warren (University of New England, Australia) and Chris Gibson (University of Wollongong, Australia)
Re-thinking redundancy in crisis: materials and skills beyond excess – Chantel Carr (University of Wollongong, Australia)
Both these sessions will be on Thursday 28th August, the first starting at 14:40 and the second starting at 16:50 in Electrical Engineering room 403a. We’re also hoping that independent artist Jethro Bryce is going to run a drawing exercise for us during the break between the two sessions, so it should be a jam-packed afternoon.
I’ve had a quick look through the online programme of events as well, and can already spy lots of sessions that interest me. On Wednesday there’s a discussion on ‘performing geographies’, and three sessions on ‘making geographies’. ‘Postcolonial geographies, political ontologies, and posthumanism’ sounds like it might be a good way to start Thursday morning, and I’m totally intrigued by the notion of ‘ad-hoc geographies’ that day too. I was hoping for a quieter Friday, but alas, ‘Speculative Realism and Speculative Materialism’ sounds too good to miss, and I’ll definitely stick my nose into ‘cinematicity’, ‘assemblage theory’ and ‘literary cartographies’ as well. It’s going to be a hectic few days!